[vc_row content_placement=”top” css=”.vc_custom_1651166630134{padding-bottom: 40px !important;}”][vc_column][vc_single_image image=”4983″ img_size=”medium”][ultimate_heading main_heading=”Mixer Kenny Kaiser moves from live sound to Dolby Atmos®” sub_heading_color=”#0f0f0f” alignment=”left” sub_heading_font_size=”desktop:32px;” margin_design_tab_text=””]Focusrite Red and RedNet Technology [/ultimate_heading][/vc_column][/vc_row][vc_row css=”.vc_custom_1651174725810{padding-bottom: 40px !important;}”][vc_column]

[/vc_column][/vc_row][vc_row][vc_column width=”1/2″ css=”.vc_custom_1651164545097{padding-bottom: 40px !important;}”][vc_column_text]Making the transition to recording in Dolby Atmos® is — according to long-time front-of-house mixer Kenny Kaiser — the next step for music. In this case study we learn how Kenny set up Working Title Recording Studios in San Mateo, CA, for Dolby Atmos, with Focusrite Red and RedNet technology.

Kenny explains the thought process behind the set up and recounts how he saved costs… and walls.

“Between the cost saving and the ease of connections, going with Focusrite interfaces made total sense.” [/vc_column_text][/vc_column][vc_column width=”1/2″]

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